All the Hits & Not-So-Surprising Misses of Menswear Milan Fashion Week Spring 2025
2024-06-19
Menswear Milan Fashion Week Spring 2025: A Sartorial Spectacle
The recent Menswear Milan Fashion Week for Spring 2025 was a resounding success, showcasing the best of Italian fashion design. From the highly anticipated debut of Adrian Appiolaza at Moschino to the elegant sophistication of Giorgio Armani, the event left a lasting impression on the fashion world. This comprehensive review delves into the highlights, hits, and misses of the season, providing an insider's perspective on the trends and innovations that defined this year's Milanese menswear showcase.
Captivating Collections and Courageous Creativity
Moschino: Reinventing the Iconic
The Moschino show was a highly anticipated event, as the brand welcomed its newly-installed creative director, Adrian Appiolaza. The Argentinian designer delved into the Moschino archives, skillfully reinventing the brand's signature staples. The result was a collection that struck a perfect balance between whimsy and sophistication, earning a resounding standing ovation from the fashion community.
Dsquared2: Blending Edgy and Playful
Dean and Dan Caten, the dynamic duo behind Dsquared2, showcased their unique blend of edgy and playful elements. Incorporating leather harnesses and boxing attire, the collection exuded a sense of fun and youthful energy, captivating the audience with its bold and unapologetic aesthetic.
MSGM: Celebrating 15 Years of Youthful Exuberance
For MSGM's 15th anniversary, Massimo Giorgetti channeled the essence of youthful exuberance through a vibrant color palette. Aptly titled "Italian Beauty," the collection paid homage to the idyllic Italian summers of the 1950s, with woven raffia jackets, shirts, and tunics in summer shades of tan.
Dolce & Gabbana: Embracing the Elegance of Italian Summers
The iconic Italian design duo, Domenico Dolce and Stefano Gabbana, paid tribute to the iconic Italian actor Marcello Mastroianni and the glamorous Italian summers of the 1950s. The collection featured woven raffia jackets, shirts, and tunics in summer shades, complemented by sleek blacks and browns, showcasing a masterful blend of elegance and sophistication.
Fendi: Seeking a Cohesive Identity
Silvia Venturini Fendi's Fendi collection showcased a minimalist and clean aesthetic, but the brand's menswear line has struggled to find a cohesive identity. Fashion critics have questioned the direction of Fendi's menswear, suggesting that the brand needs a stronger creative vision to truly excel in the field.
Neil Barrett: Seeking Refinement
Neil Barrett's collection for Spring 2025 was described as "more basic than A, B, C," with the styling and fit being criticized as sloppy and unremarkable. The oversized silhouettes and the casting of the models were seen as areas that could be improved to elevate the collection's overall refinement.
JW Anderson: Exploring the Unexpected
The JW Anderson show was an explosion of creativity, with the Irish designer's knack for the unexpected on full display. However, some fashion critics found the collection to be lacking in cohesion, with a mix of commercial pieces and experimental elements that failed to come together seamlessly.
Prada: Blurring the Lines of Reality
The Prada co-creative directors, Miuccia Prada and Raf Simons, presented a collection that blurred the lines between reality and illusion, showcasing a masterful use of trompe l'oeil details. While some fashion enthusiasts appreciated the conceptual approach, others expressed disappointment, finding the collection to be a departure from the brand's iconic aesthetic.
Martine Rose: Seeking Direction
Martine Rose's collection for Spring 2025 left fashion critics puzzled, with questions surrounding the brand's overall vision and aesthetic. The collection was described as "a parade of sh*t," with the use of unsettling nose details further adding to the confusion and lack of cohesion.
Dunhill: Styling Missteps
The Dunhill collection showcased a strong reference to the brand's heritage, but the styling choices, particularly the use of thick socks with snug loafers, were widely criticized as "heinous" and betraying the collection's potential for elegance.
Gucci: Lacking Conviction
Sabato De Sarno's debut menswear collection for Gucci was met with skepticism, as fashion critics felt the clothes and styling lacked a clear vision and personality. The collection was described as a "remix of Prada, Valentino, Dior," with no distinct Gucci identity or creative direction.
Giorgio Armani: Epitome of Elegance
Giorgio Armani's collection for Spring 2025 was a masterclass in tailored dressing, embracing the idea of both style and comfort. The muted color palette of beige and grey tones, combined with the brand's signature sophistication, earned widespread praise from fashion enthusiasts, solidifying Armani's position as the undisputed king of Italian fashion.
Tod's: Staying True to Its Roots
The Tod's collection for Spring 2025 was a cohesive and desirable offering, with a focus on the brand's core strengths – accessories and lifestyle pieces. The collection featured gorgeous knitwear and a strong supporting role for the brand's iconic bags and shoes, showcasing a clear understanding of the Tod's customer.
Zegna: Sleek Sophistication
Zegna's Spring 2025 collection exuded a sense of sleek sophistication, as expected from the Italian menswear powerhouse. The presentation and location were praised, though the music was criticized as lacking the same level of effort. Overall, the collection was a testament to Zegna's expertise in crafting luxurious and desirable menswear.