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Remember When: A Rolling Stone Music Critic Laid the Hammer Down on Bob Dylan’s ‘Self Portrait’

Remember When: A Rolling Stone Music Critic Laid the Hammer Down on Bob Dylan’s ‘Self Portrait’

The Enigmatic Self-Portrait: Bob Dylan's Divisive Masterpiece

In the ever-evolving tapestry of Bob Dylan's illustrious career, the release of his 1970 album "Self Portrait" stands as a pivotal moment that challenged the expectations of both fans and critics alike. This enigmatic work, which initially perplexed and even angered many, has since been reappraised and celebrated as a bold artistic statement that defied the conventions of the time.

Unraveling the Enigma of "Self Portrait"

Stepping Away from the Spotlight

As the 1960s drew to a close, Bob Dylan consciously distanced himself from the mantle of "spokesman for a generation" that had been thrust upon him. After a 1966 motorcycle accident, he slowed his pace, releasing more introspective albums like "John Wesley Harding" and "Nashville Skyline." Dylan sought refuge from the relentless scrutiny of the public eye, focusing instead on his personal life and family. The decision to record "Self Portrait" was a deliberate attempt to shed the expectations that had come to define his artistic identity.

Confounding Expectations

The release of "Self Portrait" in 1970 caught many by surprise, as it departed significantly from the Dylan that fans had come to know and revere. The album featured a diverse array of covers, as well as original compositions that often lacked the lyrical depth and social commentary that had characterized his earlier work. This unexpected turn left critics and listeners alike perplexed, with Rolling Stone's Greil Marcus famously opening his review with the now-iconic question, "What is this shit?"

Unintended Consequences

Dylan's intention with "Self Portrait" was to liberate himself and his audience from the burden of his own mythos. He hoped that by creating an album that defied expectations, he could free himself from the role of "spokesman" and allow his fans to seek their own answers. However, the critical backlash only served to reinforce the very expectations he had sought to subvert. Rather than finding freedom, Dylan found himself further entangled in the web of public scrutiny and analysis.

Reacting and Rebounding

Stung by the negative reception of "Self Portrait," Dylan quickly returned to the studio to record "New Morning," an album that hewed closer to his established style and sensibilities. This release, arriving just five months after "Self Portrait," was a more traditional Dylan offering that allowed critics and fans to re-engage with the artist they had come to know and admire.

Reappraising the Enigma

In the years that followed, "Self Portrait" has undergone a remarkable reappraisal. The 2013 release of the "Another Self Portrait" collection, which included previously unreleased material from the album's sessions, shed new light on the creative process and artistic vision behind this divisive work. Greil Marcus, the very critic who had once lambasted the album, now provided fawning liner notes, acknowledging the album's enduring significance and Dylan's unwavering commitment to artistic exploration.The story of "Self Portrait" serves as a testament to the enduring power of Bob Dylan's artistry and the complexities that often accompany true creative genius. By defying expectations and embracing the unexpected, Dylan challenged both his audience and himself, ultimately paving the way for a deeper understanding and appreciation of his multifaceted legacy.

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